Browse the latest Samplitude Music Studio and Samplitude Pro X video tutorials, hands-on projects, and more. Ranging from beginner to advanced. Samplitude Pro X is a music production software for audio professionals that fulfills the highest demands in quality for each and every audio production.
 
 

 

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Can its new look and feel, bit code base and killer feature-set help Magix’s heavyweight DAW muscle its way to a bigger market share? Today’s recording and mixing software can be so complex that most of us are understandably keen to stick with what we know. But how did we get to know what we know in the first place? I suspect that many people actually become Pro Tools or Cubase or Logic users by imitation and accident.

Perhaps we had friends who used the same software, or it was taught us at college, or used in the first studio we visited. It would certainly be a rare newcomer who would samplitude pro x3 suite manual pdf free download down and put all the different music software through its paces, in order to make an informed and 3x choice.

The result is that, in the UK at least, some very capable recording packages have remained minority options, never quite having snowballed through word of mouth. And both of these manufacturers seem determined that will be the year s3 this situation changes. For the last two decades, Samplitude has been tied to the Windows platform, while Performer has been Mac-only.

However, a Windows version of DP is expected early this year, while Magix have confirmed that a Mac port of Samplitude is in the advanced stages of development. Magix have also reconfigured the Samplitude product range, to address a problem of perception they felt was holding back its acceptance in pdd markets. The more affordable Samplitude 11 was a very capable package, but z3 users no doubt felt that for around the same price, they would rather have the ‘full’ version of Cubase or Pro Tools 9 than what seemed a cut-down version of Samplitude.

As a нажмите чтобы узнать больше, there has been a wholesale change. While Magix’s related Sequoia package, targeted mainly at mastering houses and broadcast applications, will move to version 12, its music production-oriented sibling has been reinvented sapmlitude Samplitude Pro X.

The key point in this reinvention is that Pro X, which retails for around the same price as Samplitude 11, and is thus a direct rival for the likes of Cubase or Pro Tools, is not at all a cut-down or hamstrung product.

Pro X is the flagship version of Magix’s DAW, and includes the full Samplitude Pro feature set; and although there is still a Samplitude product at the higher price point occupied by Pro 11, this has been renamed Samplitude Pro X Suite, to reflect the fact that samplifude basic program is exactly the same in both cases. The ‘Suite’ appellation denotes the inclusion of additional bundled plug-ins and sample content, which we’ll come to shortly. A related change is that Magix have abandoned the use dowbload a hardware dongle.

Existing users can still choose this method of authorisation and it may be preferable for those who want to move between computers oftenbut new copies of Pro X can be activated using a simple Web-based procedure. I’m sure this will be a welcome move for many, especially as users are allowed to activate a single licensed copy of the program on up to three machines.

There have, of course, been changes to the program itself, and arguably the largest of them is one that has only an indirect effect on the user: the application and its bundled plug-ins have been re-coded for full bit ppdf.

In making this move, Magix have also samplitude pro x3 suite manual pdf free download the opportunity to rethink aspects of Samplitude’s user interface, partly with the aim of making it more accessible to new users. This has involved making Samplitude’s numerous windows more manageable, by providing a central point in which they can be docked. Likewise, key windows within Samplitude, such as the Object Editor, samplitude pro x3 suite manual pdf free download been redesigned.

Last year, Magix bought out the renowned sampler and sound library developers Yellow Tools, and the first fruits of this purchase are tempting indeed: Samplitude now comes with the full version of their Independence soft sampler, complete with 12GB library, while the Suite includes an astonishing 70GB of Independence content.

Elsewhere, the battery of simplified Essential FX basic effect plug-ins has been restyled and expanded to 10 plug-ins. Other new features include better tempo-mapping facilities, Eucon support for Avid’s Artist series controllers, surround mixing and improved ‘visualisations’ of which more presently.

Should you wish to transfer projects from or to another program, meanwhile, Magix have made things easier by adding support for the OMF and AAF file interchange formats. And finally, in the ‘surely that’s still samplitude pro x3 suite manual pdf free download realm of science fiction’ category, Samplitude Pro X now includes spectral editing — familiar samplitud packages such as CEDAR’s ReTouch — at the freee level, allowing you to invisibly remove thumps, clicks, motor horns and samplitude pro x3 suite manual pdf free download sounds from individual tracks, without samplitude pro x3 suite manual pdf free download the arrange window.

An Duite review of such an established software package would usually focus almost exclusively on its new features, but since this version forms part of a concerted effort to attract new users to the Samplitude platform, and since I’m one of those new users, I thought I’d begin this one by outlining some посмотреть больше its most important features, and recounting the experiences that await fellow novices.

A positive experience awaits on opening the box: down,oad a printed manual. This is accompanied by an excellent interactive HTML Help system, which doesn’t look as flash as a glossy PDF c3, but is much more friendly to use, especially with the new Pro X enhancement of a search field built directly into the Samplitude menu bar.

For all this, the documentation is rather terse in xownload, and can take a bit of getting used to, partly because it seems to have been translated from the German, and partly because it kicks off with a slightly terrifying explanation of the numerous different input monitoring options. At first glance, Samplitude’s interface is functional and fairly busy, with strips of buttons running along the top and bottom.

If you prefer a different look, it’s all very configurable, and a number of workspaces and different graphical ‘skins’ are available. A selection of Samplitude Pro X’s ‘skins’. One distinctive aspect of the user-interface design is the way in which the right mouse button is employed. Sometimes it brings up a contextual menu, as in other mqnual, but very often it’s the means by which important dialogues are accessed. For instance, left-clicking on an insert slot in the Mixer bypasses a plug-in, but it’s right-clicking that opens the plug-in window for editing.

This is logical and it’s implemented consistently throughout the program, but rather different pdv other DAWs I’ve tried, and means you absolutely need a two-button mouse. Oh, and why oh why can you not use the Page Up and Down keys to navigate the main arrange window?

Magix have made a concerted effort to control the proliferation of windows in Pro X by introducing various ways in downloae samplitude pro x3 suite manual pdf free download can be parked. The most important usite here is the Docker, which in its default mode, divides the screen in two horizontally, allowing the lower half to display the Object Editor, MIDI Editor, or pdf expert vs pdfelement of nine other windows that were floated in previous versions.

They can still be detached from the Docker and made to float, if you wish, or docked in other places, such as adjacent to the transport bar at the bottom half of the screen. Not having used the previous version, I’m not sure how much of an adjustment the Docker will require for existing users, but it seems a sensible move to me.

In general, though, I think it’s fair to say that Samplitude is still not a product of the minimalist school of software design. The mouse, for instance, can be switched /18578.txt no fewer than 15 different tools, while there must нажмите для деталей twice as many menu and submenu items as there are in Cubase or Pro Tools.

Many things that are handled using drag-and-drop interfaces in other packages are accessed through dialogues — a typical example would be re-ordering the plug-ins on a mixer channel’s insert slots. If you’re a fan of ‘streamlined’ interfaces such as are found in Presonus’s Studio One or Ableton Live, this might not be to pvf taste, but reflects the amazing density of features that are found in Samplitude and the thoroughness with which they are implemented.

Magix use the term Object to refer to what other manufacturers call ‘regions’, ‘clips’ or ‘events’: sections of an audio or MIDI recording на этой странице on a track in the arrange window.

One of Samplitude’s key features is the extent to which these Objects can be manipulated independently of the track to which they’re assigned.

Most audio packages now let you apply fades and overall gain adjustments to individual clips, along with offline destructive effects processing, but Samplitude’s audio Objects go much, much further. They can have their own real-time insert effects and aux sends — all of which, along with the Object’s output level and pan position, can be fully and graphically automated, and stored as presets. They can be pitch-shifted and time-stretched, and you can even set an existing Object to refer to a completely different source audio file, should you wish.

It really is no exaggeration to say that it is perfectly possible to mix an entire multitrack recording using only Object-based processing, and many Samplitude users do just samplitude pro x3 suite manual pdf free download, using the mixer only for subgrouping and bus processing. The advantages of this approach are many. If samplitude pro x3 suite manual pdf free download decide to pick up an Object and move it to a different track or time position, all of its associated Object-based effects and automation simply come with it.

In a post-production environment, it allows complex projects with thousands of sound effects to be handled using just a few tracks. And, of course, Object-based effects are only active when the Object is actually being played back, so it’s typically a very CPU-efficient way of doing things — and if you do run out of CPU power, you can easily render them.

Here’s a simple real-world example where Object-based processing proved handy when I used Samplitude to mix a soundboard recording from a gig. About halfway through the show, the live sound engineer had applied a gate to the tom mics, which I was receiving post-fade from his desk. As a result, the first half of each tom track was recorded with spill, and the second half without.

In Samplitude, it was trivially easy to split these Objects at the relevant point and apply my own gate as an Object effect to bring samplifude first part into line. Ffee processing is handled using a window called the Object Editor, which is among those found lurking in the Docker, and can be resized and displayed in various formats.

The Object Editor follows selections made in the main arrange window, so if you happen to click on a different Object, it will switch to showing that Object’s parameters. The revamped Object Editor. The automation visible on the selected Object is controlling its output level, rather than the channel fader on the track, and will follow it when the Object is moved. The Object Editor has been significantly modified in Pro X. Previous versions used conventional Copy and Paste commands to transfer settings from one Object to another.

These have been swept away, and in their place are four snapshot ‘slots’, each of which stores an entire configuration of effects, EQ, gain and so on but not automation. To transfer one Object’s settings to another, you simply Shift-click on one of the slots to store the settings, select the new Object in the samplitude pro x3 suite manual pdf free download window, and click on the slot.

You can also use the four slots to audition адрес страницы processing chains. Or, to give a more complex example, suppose you were faced with a vocal recording that suffered both from sibilance and pops: you could set up three different snapshots, one with your usual vocal processing chain, one with a high cut to tame sibilance, and one with a low cut to tackle the pops.

You could then slice up the vocal take wherever you encountered a sibilant or a pop, and apply the relevant snapshot to each of the resulting Objects. Better still, Object settings can be saved to disk and recalled for future use though not, puzzlingly, by right-clicking on the slotsallowing you to build up a library of settings for different types of source recording, or to share them across multiple mixes from the same recording session. This is simply excellent.

One gree the great things Вот download adobe audition cs5.5 full crack free download блестящая Samplitude is that it rarely attempts to force you into a particular way of working.

So if you’d rather forget all about Object-specific parameters, you still have access to a very well-specified mixer, with inserts, aux sends, panners and so on, not to mention nice touches such as a Mono button in the master section and a gain pot at the top of each channel. Routing seems pretty flexible, with the usual limitation that you can’t send or output a channel to itself, but there are a few quirks that you need to watch out for.

One samplifude that although automation in general is sophisticated, for some odd sampllitude it’s not possible to use automation to switch plug-ins in and out of bypass — a strange omission in a program that is otherwise so powerful.

A more fundamental issue is that in both the Mixer and the Object Editor, most of Samplitude’s built-in plug-ins are handled differently from third-party VST or Direct X plug-ins yes, Direct X is still supported! Should you wish to change the order in which they affect your signal, you’ll need to open a Routing dialogue, and even then it’s not possible to have, for instance, a Samplitude EQ sandwiched between two third-party VSTs.

This being Samplitude, there are, of course, gazillions of routing options, so this doesn’t seriously impair its flexibility, but it does add apparently unnecessary complexity. Magix told читать статью that the reasons for this are historical.

As well as saving Object snapshots to disk, Samplitude can also store effects chains and channel routing presets, and these can be loaded in either the Object Editor or in Mixer channels. However, unlike Object snapshots, effects chains don’t include the built-in samplitude pro x3 suite manual pdf free download, and it does seem rather cumbersome to have three different sets of files, in different incompatible formats, for what are basically variations on the same thing.

It would be better to have just one kind of file, согласен download ms teams microsoft desktop действительно either ignore any Samplitude pro x3 suite manual pdf free download parameters when such a file was loaded in the Mixer, or allow the user to choose which elements get imported, as you can with Pro Por Import Session Data function.

In previous releases, support for surround mixing was one of the features that separated Sequoia and the full-blown Samplitude Pro from the mid-priced Samplitude. The rethink of the Samplitude product range mentioned earlier means that it has now been incorporated into Pro X: so, not a new feature, but new at this price level.

A variety of common output formats are catered for, and a number of core Samplitude effects processors can work across up to six channels, including the Room Simulator convolution reverb. To make use of them, downlpad are surround buses and auxes as well as a surround master output. As yet, however, there are no surround audio tracks or Objects, samplitude pro x3 suite manual pdf free download to create a surround mix, you’ll need to pan mono or stereo tracks within a surround bus.

This being Samplitude, surround panning can of course be done at the Object level as well as at the track level.

Garageband compared to logic pro x free that are routed to the Surround output bus bypass the conventional mixer by default, but it is possible to have them feed both a surround bus and a stereo bus. Each of the four MIDI tracks is feeding the multitimbral Independence sampler on a separate MIDI channel, and each shares a mixer channel with the stereo return carrying its перейти sound.

Mention of the Mixer leads me to another good samplitued of the way in which Samplitude tries to cater for every possible circumstance, this time relating to the way in which software instruments нажмите для деталей integrated into its mixer.

In other applications, there are two typical approaches. Some offer instrument tracks, which behave as MIDI tracks for the purposes of recording and as stereo audio tracks, carrying an instrument’s output, for those of mixing, routing, automation and so on. These economise on screen space and locate all the information relating to pff instrument in a single place, but don’t tend to work well with multitimbral VST Instruments, where you typically need several MIDI tracks feeding the same samplitude pro x3 suite manual pdf free download, which in turn outputs on multiple stereo channels.